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DTSTART;TZID=America/New_York:20241109T200000
DTEND;TZID=America/New_York:20241109T200000
DTSTAMP:20260416T025035
CREATED:20241003T192655Z
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UID:13546-1731182400-1731182400@pcm.org
SUMMARY:New Sphere plays Thelonious Monk | DIJ at SPACE
DESCRIPTION:New Sphere is a new quartet dedicated to the music of legendary African American jazz composer and pianist Thelonious Monk. The band is led by soprano saxophonist and composer Titus Abbott in collaboration with pianist\, composer and longtime Monk specialist Frank Carlberg and features a rhythm section of Kim Cass and Michael Sarin. Music will range from familiar to obscure pieces in Monk’s catalog of 70 compositions. Although widely known as one of the pillars of jazz history\, Thelonious Monk’s music is still under recognized. \nTitus Abbott\nTitus Abbott is a Maine based saxophonist and composer. He is dedicated to finding contemporary expression in jazz while honoring its rich tradition. His compositions are characterized by intricate melodies\, harmonies and rhythms that are an invitation to close listening. Specializing in soprano saxophone\, Titus balances his repertoire as a multi-instrumentalist on alto and tenor saxophones and bass clarinet. \nAs an improviser and composer Titus has worked and recorded with a wide range of collaborators from his native Canada to Europe and the US. These include Graham Collier\, Eddie Pévost\, The Grand Union Orchestra\, Ashley Maher\, George Koller\, Frank Carlberg\, Pascal Niggenkemper\, Michael Sarin\, Marilyn Lerner\, Curtis Clark\, Nate McBride\, Luther Gray\, Sean Conly and many others performing at venues\, concert halls and jazz festivals worldwide. \nFrank Carlberg\nOriginally a native of Helsinki\, pianist–composer Frank Carlberg has carved himself quite a niche in the New York jazz community. \nAs a leader\, Carlberg’s groups include the Frank Carlberg Quintet\, Tivoli Trio and Frank Carlberg Large Ensemble. Carlberg has also been involved in many crossover projects throughout the years. Some of his most notable collaborators have included the likes of saxophonist Steve Lacy\, trombonist Bob Brookmeyer and trumpeter Kenny Wheeler. \nCarlberg has been commissioned to write music for big bands\, small ensembles\, symphony orchestras as well as modern dance companies. In addition to his playing and composing activities Carlberg also serves on the faculty at New England Conservatory. \nCarlberg was also a founding member of the Douglass Street Music Collective and runs Red Piano Records\, an independent record label with a current catalogue of over 50 releases. \nKim Cass\nBassist Kim Cass is from an island off the coast of Maine\, where he was introduced to bass playing at age 10. He quickly developed a unique style on the electric bass and began playing the upright bass at age 13. Developing this instrument in a jazz context became Kim’s passion\, as well as composing music featuring his upright playing. \nWhen studying at the New England Conservatory of Music\, Cass received personalized instruction from several virtuoso musicians including George Garzone\, Ran Blake\, Joe Morris and Joe Maneri. Cass currently resides in New York City. He has been featured in a wide variety of ensembles\, executing music that is ever challenging and beautifully mysterious. Cass has performed with the likes of Matt Mitchell\, Tyshawn Sorey\, John Zorn\, and Bill McHenry. The solo album KIM CASS\, released on Table and Chairs\, is a showcase of Kim’s upright bass playing and compositions. \nMichael Sarin\nDrummer Michael Sarin has been at the center of New York City’s genre bending jazz and improvisation community. His versatility and musical wit helped forge long associations with forward-looking artists Thomas Chapin\, Dave Douglas\, Myra Melford\, Ben Allison\, and David Krakauer. Since moving to New York in 1989\, Michael’s unique style and approach to the drum set has been highly sought after by NYC and European musicians looking to expand the definitions of jazz and improvised music. He has contributed to recordings by the aforementioned artists as well as those of Frank Carlberg\, Anthony Coleman\, Mark Dresser\, Marty Ehrlich\, Mark Helias\, Denman Maroney\, Simon Nabatov\, Mario Pavone\, Ned Rothenberg\, and Fred Wesley–recordings found on numerous music critics’ Top Ten CD year-end lists.
URL:https://pcm.org/event/new-sphere-plays-thelonious-munk-dij-at-space/
LOCATION:Space Gallery\, 538 Congress Street\, Portland\, ME\, 04101
CATEGORIES:Dimensions in Jazz
ATTACH;FMTTYPE=image/jpeg:https://pcm.org/wp-content/uploads/2024/10/https___cdn.evbuc_.com_images_865193229_140736326140_1_original.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241019T140000
DTEND;TZID=America/New_York:20241019T153000
DTSTAMP:20260416T025035
CREATED:20240924T014920Z
LAST-MODIFIED:20240925T131538Z
UID:13499-1729346400-1729351800@pcm.org
SUMMARY:Student Honors Piano Recital | PianoPalooza
DESCRIPTION:Featuring many of PCM’s incredible student pianists during PianoPalooza 2024. Enjoy a pizza party following the concert\, thanks to Flatbread Co. \nThis is a free concert. All other PianoPalooza concerts are ticketed. Tickets may be purchased at PortTIX.com
URL:https://pcm.org/event/student-honors-piano-recital-pianopalooza/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:PianoPalooza,Student Recitals
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/PP-Student-Honors.png
ORGANIZER;CN="Portland Conservatory of Music":MAILTO:registrar@portlandconservatoryofmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241013T190000
DTEND;TZID=America/New_York:20241013T190000
DTSTAMP:20260416T025035
CREATED:20240925T144808Z
LAST-MODIFIED:20240925T145024Z
UID:13532-1728846000-1728846000@pcm.org
SUMMARY:The Kid Brother (1927) | Kinonik
DESCRIPTION:Harold Lloyd\, these days\, is the least known of the “Big Three” silent comedians\, overshadowed by Charlie Chaplin and Buster Keaton. But in the 1920s he was the most successful\, achieving the highest pay among silent film stars. He was known for his “Glasses Character” which embodied a resourceful and optimistic persona fitting the 1920s spirit\, much like Jimmy Stewart in the 1940s or Tom Hanks in the 1990s. \nIn The Kid Brother\, the most important family in Hickoryville is (naturally enough) the Hickorys\, including Sheriff Jim and his tough\, manly sons Leo and Olin. The timid youngest son Harold doesn’t have the muscles to match up to them\, so he must use his wits to win the respect of his strong father–and also the love of beautiful Mary. The Kid Brother is a male version of the Cinderella story; Harold\, the drudge of his family\, lacks the size and strength of his father and brothers and is ordered about by all of them – only to prove the hero and win Mary’s love. \nHarold Lloyd always claimed this to be his favorite among all his films\, and\, in later years\, he proudly screened the film in selected theaters and at film schools. \nLive musical accompaniment will be performed by Carolyn Swartz playing the fabulous grand piano at the Portland Conservatory of Music. As always\, projected from a 16mm film print. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFree forms by\n\n\n\n\nTickets
URL:https://pcm.org/event/13532/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:Rental
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/Silent-Film.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241012T190000
DTEND;TZID=America/New_York:20241012T190000
DTSTAMP:20260416T025035
CREATED:20240925T131041Z
LAST-MODIFIED:20240925T131041Z
UID:13509-1728759600-1728759600@pcm.org
SUMMARY:Elevator to the Gallows | WMPG Jazz at the Movies
DESCRIPTION:WMPG’s Jazz at The Movies and the Portland Conservatory of Music are proud to present Louis Malle’s classic film noir film Elevator to the Gallows with the incredible improvised score by Miles Davis on Saturday\, Oct. 12th. \nDirector Louis Malle’s first feature film Ascenseur pour L’Echafaud is a1958 crime thriller shot at night in Paris in B&W. With its innovative cinematography techniques\, it heralded the arrival of the French New Wave. Film critic Roger Ebert called Malle’s Elevator “a noir masterpiece.” \nElevator to the Gallows was Miles Davis’ first film score\, and was recorded by the trumpeter in an entirely unrehearsed and improvised session while he was in Paris. His haunting and lyrical playing on Elevator mark Miles Davis’s first foray into modal jazz\, and a hint of what was to come\, his brilliant jazz masterpiece Kind of Blue one year later. \nElevator To The Gallows is a treat for both the eyes and the ears. Come join us for this fabulous French flick and its stunning jazz score Saturday\, October 12th\, 7 PM\, at The Portland Conservatory of Music\, 28 Neal St.\, in Portland. Admission is FREE.
URL:https://pcm.org/event/elevator-to-the-gallows-wmpg-jazz-at-the-movies/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:JAM
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/Website-Event-Images.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241005T160000
DTEND;TZID=America/New_York:20241005T170000
DTSTAMP:20260416T025035
CREATED:20240924T014013Z
LAST-MODIFIED:20240924T014013Z
UID:13496-1728144000-1728147600@pcm.org
SUMMARY:Free Jazz Workshop with Marguerite Juenemann\, Gary Wittner\, and Tony Gaboury
DESCRIPTION:Bring your instrument and a fake book\, or just come to watch the magic happen! \nNo tickets necessary. \nFollowing the workshop\, grab some dinner then come back to see Marguerite\, Gary\, and Tony perform live at PCM (tickets required)
URL:https://pcm.org/event/free-jazz-workshop-with-marguerite-juenemann-gary-wittner-and-tony-gaboury/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:Dimensions in Jazz,Workshops & Masterclasses
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/10.5v2-2000x2000-1.png
ORGANIZER;CN="Portland Conservatory of Music":MAILTO:registrar@portlandconservatoryofmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241005T100000
DTEND;TZID=America/New_York:20241005T150000
DTSTAMP:20260416T025035
CREATED:20240925T141521Z
LAST-MODIFIED:20240925T141809Z
UID:13523-1728122400-1728140400@pcm.org
SUMMARY:Early Music Workshop: Plucked Strings and the History of Arrangement
DESCRIPTION:Early Music Workshop: Plucked Strings and the History of Arrangement\nA word often heard from proponents of the early music movement was authenticity (especially in the early years). Music should be played\, they insisted\, on the instrument(s) for which it was composed–ideally surviving original instruments of the period\, or\, at a minimum\, faithful copies of those instruments. Even pitch\, stringing materials\, and much more\, were often prescribed. “Arrangements? But why\, with so much wonderful repertoire in its original form?” \n\nBut from the earliest surviving prints and manuscripts\, we see that transcriptions formed a significant body of music–with composers going so far as to transcribe opera overtures for solo theorbo (or a 19th-century guitar)! \n\n\n\n\nThis workshop will explore historical examples of arrangements for plucked strings and invite participants to try playing surviving transcriptions as well as investigating how to make their own. \n\n\nSchedule : \n\n\n\n10 – 11am: Lecture on surviving plucked-string arrangements from the 1500’s to the 19th century.\n11am to noon: Masterclass. Registered participants will be sent sample arrangements at least two weeks in advance\, but are free to bring arrangements that they have found or made.\nBreak for lunch\n1 – 2:30pm: Hands-on class on making arrangements. Sample works will be provided\, but participants are encouraged to bring works of their own choosing. We will explore:\n\nFinding works suitable for arrangement for your instrument\nSelecting suitable keys\nTips on where ‘trimming the fat’ from a ‘candidate piece’ doesn’t hurt the finished product.\n\n\n2:30 to 3pm: Question and answer session\n\n\n\n—\n\nThis workshop is available for students ages 14+\n\nRegistration is required\nRegister Now
URL:https://pcm.org/event/early-music-workshop-plucked-strings-and-the-history-of-arrangement/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:Workshops & Masterclasses
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/Early-Music-Workshop.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240928T150000
DTEND;TZID=America/New_York:20240928T163000
DTSTAMP:20260416T025035
CREATED:20240924T020253Z
LAST-MODIFIED:20240925T134554Z
UID:13502-1727535600-1727541000@pcm.org
SUMMARY:Portland Piano Trio & 240 Strings
DESCRIPTION:Portland Piano Trio Concert Information
URL:https://pcm.org/event/portland-piano-trio-240-strings/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:Rental
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/PPT-240-Strings.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240921T190000
DTEND;TZID=America/New_York:20240921T190000
DTSTAMP:20260416T025035
CREATED:20240903T170240Z
LAST-MODIFIED:20240903T170240Z
UID:13480-1726945200-1726945200@pcm.org
SUMMARY:Cesária Évora | WMPG Jazz at the Movies
DESCRIPTION:The film CESÁRIA ÉVORA follows the struggles and success of this legendary Grammy winning singer who was born into abject poverty in colonial Cape Verde. Join WMPG’s Jazz at the Movies for the Portland premiere of this film about Cesária Évora\, world famous morna singer and Queen of World Music in the 1990’s and early 2000’s who became a feminist hero and an African icon at the height of her fame. \nWMPG’s Jazz at The Movies and the Portland Conservatory of Music are proud to present the premiere showing of the film “Cesária Évora” on Saturday\, Sept. 21st at 7PM. The Grammy award winning and legendary performer Cesária Évora\, nicknamed “the Barefoot Diva”\, was raised in abject poverty in the Cape Verde Islands off the coast of Africa\, and rose to become the Queen of World Music in the late 1990’s and early 2000’s without ever losing her connection to her humble beginnings. Join us on Saturday\, September 21st to celebrate the music and inspiring life of this African icon\, feminist hero and world famous morna singer\, Cesária Évora. Admission is FREE. And\, as a special bonus\, the movie will be introduced by her former bandmate Kalu Monteiro.
URL:https://pcm.org/event/cesaria-evora-wmpg-jazz-at-the-movies/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:JAM
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/09/Screenshot-2024-09-03-at-12.53.46 PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240725T190000
DTEND;TZID=America/New_York:20240725T230000
DTSTAMP:20260416T025035
CREATED:20240530T160559Z
LAST-MODIFIED:20240708T164220Z
UID:13416-1721934000-1721948400@pcm.org
SUMMARY:Air Space and Jane Ira Bloom
DESCRIPTION:Grammy-winning saxophonist Jane Ira Bloom joins forces with keyboard-percussion duo Air Space (Mike Effenberger and Brian Shankar Adler).\n\n\n \nAir Space (Mike Effenberger and Brian Shankar Adler) teams up with award winning saxophonist\, composer and improviser\, Jane Ira Bloom to create an unforgettable performance embracing the conversational possibilities between each other\, the audience and the space-time continuum. \nInspired by the minimalist structures and analogue textures of artists like Brian Eno\, Jóhann Jóhannsson\, and Nils Frahm\, Air Space transcends boundaries\, creating an atmospheric soundtrack to the somnambulist’s night in the deep woods.  \nAt times sublime and at times combative\, the group explores site specific\, interactive\, new music. Their expansive sound comes from Effenberger’s clever use of analog keyboards\, tape delays and geological specimens pitted against Adler’s genre-defying use of percussion from South America\, South Asia and the sewers of Brooklyn. Blending Indian raga\, post-Cageian minimalism\, and lo-fi nostalgia with an occasional field recording of crickets\, tiny sparks fly while the music retains a deceptively serene appearance.  \nAir Space made its debut in 2022\, performing in a casemate at Fort Gorges (Casco Bay\, Maine). In 2024\, the group released Cricket Cipher (Adhyaropa Records) and toured the Northeast\, US. The group’s performances often invite audience members to interact with the music through the use of collective drones and polyrhythms. \n \n————————- \n \nSoaring\, poetic\, quick silver\, spontaneous and instantly identifiable are words used to describe the soprano sound of saxophonist Jane Ira Bloom. She has been developing her singular voice on the soprano saxophone for over 45 years. She is a pioneer in the use of live electronics and movement in jazz. Winner of the Guggenheim Fellowship for music composition\, the Downbeat International Critics Poll & Jazz Journalists Association Award for soprano saxophone\, the Mary Lou Williams Award for lifetime service to jazz and the Charlie Parker Fellowship for jazz innovation. She is the first musician ever commissioned by the NASA Art Program and has an asteroid named in her honor by the International Astronomical Union (asteroid: 6083janeirabloom). Her critically acclaimed Cd “Early Americans” received a Grammy Award for Best Surround Sound Album and made numerous year end best lists. Her duo release with bassist Mark Helias “Some Kind of Tomorrow” was featured on NPR’s Fresh Air and received 4 stars from Downbeat Magazine. Her recent critically acclaimed duo projects “Tues Days” with drummer Allison Miller and “See Our Way” with Helias  and trio project with Helias and Bobby Previte “2.3.23” all appear on Bandcamp. JIB finds inspiration in creating exploratory music with improvising musicians around the world and has participated in several international ‘remote’ events including a performance at the United Nations that linked improvising musicians in Korea\, China\, New York\, and San Diego. She has recorded and produced 20 albums of her music dating from 1977 to the present. Bloom is a professor at New School University’s College of the Performing Arts in NYC. Nat Hentoff called Bloom an artist “beyond category.” Bill Milkowski has described Bloom as “a true jazz original…a restlessly creative spirit\, and a modern day role model for any aspiring musician who dares to follow his or her own vision.” \n \n————————- \nDescribed as “a polyrhythmic force” (JazzTimes)\, multidisciplinary percussionist and composer Brian Shankar Adler transcends the terrain between genre and geographic region\, asking: how can we find connection through rhythm? He has performed internationally in caves\, forests and adjacent glacial ice fields as well as Carnegie Hall\, Lincoln Center\, Kennedy Center and The Stone. He has been recorded on over fifty albums including his recent works\, For a Gallery on the Moon (Chant Records\, 2020) and Fourth Dimension (Chant Records\, 2019). His music video\, “Mantra” won best music video at Transcinema International Film Festival in Peru and an official selection at Quiet City Film Festival in New York City. Adler has worked with Kinan Azmeh\, Ballet Hispanico\, Jay Clayton\, Guillermo Klein\, La Bomba De Tiempo\, Frank London\, Kate McGarry\, Palaver Strings\, Kamala Sankaram\, Elizabeth Swados\, among others and has been featured in Modern Drummer Magazine\, DownBeat\, and NPR. He is currently on faculties at Bates and Bowdoin College. \n \n————————- \nKeyboardist Mike Effenberger has curated an unmistakably individual voice drawing on gospel\, minimalism\, jazz\, and 20th century music. He leads Weird Turned Pro and plays with fiveighthirteen\, Jazzputin and the Jug Skunks\, the secular roots and gospel choir Rock My Soul\, OURBIGBAND\, Sad Bastards / Loose Standards\, Showmen’s Rest and Dan Blakeslee. When not in the northeast\, Effenberger performs internationally with Bing and Ruth\, and plays throughout the east coast with Soggy Po’ Boys. He appears on countless recordings from independent releases to larger labels\, including 4AD and RVNG Intl\, and is also active as a producer. His work has been reviewed in international publications including the Paris Review\, The Guardian\, and Pitchfork\, as well as appearing on nationally syndicated media including NPR’s All Things Considered and PRX’s Echoes.
URL:https://pcm.org/event/air-space-and-jane-ira-bloom/
LOCATION:SPACE\, 538 Congress St\, Portland\, ME 04101\, Portland\, ME\, 04101\, US
CATEGORIES:Dimensions in Jazz
ATTACH;FMTTYPE=image/jpeg:https://pcm.org/wp-content/uploads/2024/05/13416_image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240518T190000
DTEND;TZID=America/New_York:20240518T190000
DTSTAMP:20260416T025035
CREATED:20240510T192710Z
LAST-MODIFIED:20240510T192710Z
UID:13391-1716058800-1716058800@pcm.org
SUMMARY:ELLIS: The Life and Complicated Times of Ellis Marsalis\, Jr. | WMPG Jazz at the Movies
DESCRIPTION:WMPG’s Jazz At The Movies and the Portland Conservatory of Music are pleased to present the documentary \nELLIS: The Life and Complicated Times of Ellis Marsalis Jr. \nEllis Marsalis was the Patriarch of the First family of Jazz .To his talented kids\, Winton\, Branford\, Delfeayo\, Ellis & Jason\, he was Dad. To generations of New Orleans musicians\, he was a keyboard genius and composer\, a teacher and the keeper of the flame. \nELLIS: The Life and Complicated Times of Ellis Marsalis Jr. is the story of one of American music’s heroes: a jazz musician who grew up in New Orleans\, survived the racial injustices of Jim Crow segregation\, flirted with bebop\, and went back to his hometown roots to establish school and university programs to awaken in black students a sense of pride in their New Orleans’ heritage. \n“In other places\, culture comes down from on high”\, Ellis taught them. “ In New Orleans it bubbles up from the streets.” \nThis movie ELLIS: The Life and Complicated Times of Ellis Marsalis Jr. tells the story of the pianist in his own words and music\, ofter superimposed over early archival film footage of the Crescent City\, and the vast floods like Katrina that would change its history forever. \nPlease join us Saturday\, May 18th\, for the movie about this great man Ellis Marsalis\, the heart and soul of the New Orlean’s jazz community\, who kept the flame burning and single handedly changed the entire world of jazz. \nTickets are FREE and no reservations are required. Saturday\, May 18th\, 7 PM\, \, at The Portland Conservatory of Music\, 28 Neal St.\, Portland.
URL:https://pcm.org/event/ellis-the-life-and-complicated-times-of-ellis-marsalis-jr-wmpg-jazz-at-the-movies/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:JAM
ATTACH;FMTTYPE=image/jpeg:https://pcm.org/wp-content/uploads/2024/05/ELLIS-INSTA-JAZZ-AT-THE-MOVIES-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240504T180000
DTEND;TZID=America/New_York:20240504T180000
DTSTAMP:20260416T025035
CREATED:20240417T015936Z
LAST-MODIFIED:20240417T015936Z
UID:13366-1714845600-1714845600@pcm.org
SUMMARY:Spring Benefit
DESCRIPTION:Come together to raise money for PCM’s Tuition Assistance Program\, making music education more affordable! \nWhat you’ll experience: \n\nDelicious Hors D’oeuvres\nRefreshing Beverages\nDelightful Concert\, presented by PCM’s teaching faculty\nWorld Premiere Quintet by PCM’s own Robert Gans\nFund-a-Need Auction for PCM’s Tuition Assistance Program\nAll this in PCM’s newly renovated Performance Hall!\n\nAs cost of living continues to rise\, family budgets continue to tighten. Music education is crucial to the developing minds of youth and the delicate minds of the aging population. In light of that\, PCM is growing it’s Tuition Assistance Program to help more students afford music lessons. Join us for this event and concert as we\, together\, increase our impact in the community. \nInterested in joining the Host Committee? Email Melissa Lund Ziegler\, PCM’s Director of Marketing & Development.
URL:https://pcm.org/event/spring-benefit/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:Faculty Benefit Concert
ATTACH;FMTTYPE=image/png:https://pcm.org/wp-content/uploads/2024/04/PCM_SpringBenefit2024_PortTix_1600x1000_Option03.png
ORGANIZER;CN="Portland Conservatory of Music":MAILTO:registrar@portlandconservatoryofmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240427T184500
DTEND;TZID=America/New_York:20240427T184500
DTSTAMP:20260416T025035
CREATED:20240417T012046Z
LAST-MODIFIED:20240417T012116Z
UID:13356-1714243500-1714243500@pcm.org
SUMMARY:Louis Armstrong's Black & Blues | WMPG Jazz at the Movies
DESCRIPTION:WMPG’s Jazz At The Movies and the Portland Conservatory of Music are pleased to present the documentary “Louis Armstrong’s Black & Blues\,” an eye opening look at one of the 20th century’s most beloved celebrities\, the world famous trumpeter and vocalist Louis Armstrong\, as drawn from his decades of personal scrapbooks\, tapes and private  journals. You know his voice and you know his music\, but do you really know the man himself?\n\nCome join us Saturday\, April 27th at 6:45 pm for a short introductory talk and Sacha Jenkins Jammie’s illuminating film about the celebrated jazz trumpeter Satchmo. “Louis Armstrong’s Black & Blues” is a revealing\, behind the scenes portrait of an artist whose public persona as a cultural ambassador often conflicted with his painful struggle as a black man in the racially segregated United States. “Louis Armstrong’s Black & Blues” tells us the true story of this great jazz man in his very own words.\n\nTickets are FREE and no reservations are necessary. Saturday\, April 27th\, 6:45 pm\, at The Portland Conservatory of Music\, 28 Neal St.\, Portland.
URL:https://pcm.org/event/louis-armstrong-jam/
LOCATION:Portland Conservatory of Music\, 28 Neal St\, Portland\, ME\, 04102\, United States
CATEGORIES:JAM
ATTACH;FMTTYPE=image/jpeg:https://pcm.org/wp-content/uploads/2024/04/L-Armstrong-WMPG-JAZZ-AT-THE-MOVIES-INSTA-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240418T200000
DTEND;TZID=America/New_York:20240418T200000
DTSTAMP:20260416T025035
CREATED:20240417T014653Z
LAST-MODIFIED:20240417T021107Z
UID:13361-1713470400-1713470400@pcm.org
SUMMARY:Caroline Davis and Wendy Eisenberg with Rhubarb @ SPACE Gallery
DESCRIPTION:Esteemed composers and improvisors Wendy Eisenberg and Caroline Davis celebrate the April release of their inside-outside songs record.\n\n\nImprovisers\, composers\, songwriters\, and friends\, Wendy Eisenberg and Caroline Davis celebrate the April release of their inside-outside songs and improv duo album Accept When at SPACE. \nWendy Eisenberg and Caroline Davis wrote Accept When between 2022 and 2023\, after a long\, beautiful period improvising together intimately in the safety of a friend’s practice space. Our friendship\, the quality of attention that colored the light of that and all our other practice spaces\, became the basis for our activity and growth as songwriters and our relationship as improvisers. Friendship\, how we relate to each other\, is their nucleus: the central and essential part of their movement; the positively charged central core of their atom. \nA nucleus is supposed to be an especially essential form in eukaryotic cells. Their nuclei are surrounded by a membrane\, which in that world permits them to be said to have “true nuclei.” Even their smallest parts\, their organelles (incidentally also the name of Caroline’s keyboard heard throughout the record)\, are held by that membrane. The deepening of their musical friendship\, the affordance of space they give to the possibility of synchronicity\, the reminders they write of the preciousness of our existence — all of this they put into these songs for you\, to help us all accept these miracles and metaphors\, in our lifeboats. \nAlive with nurturing visions of simple sonic offerings to morph our present situation\, Caroline Davis’ main reason for playing music is to connect with others\, beckoning new vistas among curious listeners. Her musical journey began in Singapore\, in a humid climate\, hearing sounds underwater that she would recreate by singing to her German shepherd dogs\, who treated her as their own. Her family moved to the United States\, Atlanta\, Georgia\, around age 6\, where she encountered R&B and gospel music rife with horns that called her to choose the saxophone 6 years later. Today\, Caroline’s music covers a wide range of styles\, owed to this shifting environment. As a leader\, she has released seven albums\, and her active projects include Portals\, My Tree\, and Alula. Her work has garnered much praise from NPR\, The New York Times\, The Wall Street Journal\, The Wire\, and a host of international publications. \nDavis has shared the stage with Lee Konitz\, Rajna Swaminathan\, Michelle Boulé\, Angelica Sanchez\, John Zorn\, Bari Kim\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Miles Okazaki\, and Billy Kaye. Outside of these performance relationships\, she has been involved with the following mentorship communities: IAJE’s Sisters in Jazz\, the Kennedy Center’s Betty Carter Jazz Ahead Program\, and Mutual Mentorship for Musicians. Grants and residencies supporting a grateful Caroline include: Foundation for Contemporary Arts\, Chamber Music America\, New York Foundation for the Arts\, Jerome Hill\, Civitella\, BringAbout Residency\, The Jazz Gallery\, and MacDowell. Some of her compositional practice integrates music with cognitive science\, influenced by her Ph.D in Music Cognition. \nCaroline is an advocate for social justice in the realms of gender (Jazz & Gender at The New School and This Is a Movement) and in the movement for carceral justice (Justice for Keith Lamar). \nOver the last five years or so Wendy Eisenberg has been keeping listeners guessing. Nominally an improvising guitarist\, they don’t recognize any musical limitations\, perpetually finding ways to apply a deeply exploratory practice to a wide variety of contexts. Eisenberg plays solo guitar as well as banjo in both acoustic and electric settings\, warped post-punk songs in the trio Editrix\, delicately dangerous guitar music in the critically acclaimed Bill Orcutt Guitar Quartet\, country-free jazz in the band Darlin’\, with Lester St. Louis and Ryan Sawyer\, febrile post-Prime Time free jazz in Strictly Missionary\, and punk-prog in a trio with Trevor Dunn and Ches Smith. As Eisenberg told fellow guitarist Nick Millevoi in an interview for Premier Guitar in 2021\, “I need to be in a punk band at the same time as I need to be playing free improv at the same time as I need to be playing songs. All at the same time—otherwise none of the practices will work for me.” Their musical range isn’t a glib manifestation of eclecticism\, but a genuine artistic essence. \nEisenberg has collaborated with a disparate array of musicians from all points along the creative music spectrum\, including Bill Orcutt\, Allison Miller\, Shane Parish\, Francisco Mela\, Carla Kihlstedt\, John Zorn\, and Caroline Davis. They have released music on Tzadik\, VDSQ\, Ba Da Bing! Records\, Garden Portal\, Feeding Tube\, Out of Your Head\, and Dear Life Records\, and performed everywhere from intimate basements to international festivals including Moers\, Le Guess Who? and Big Ears. They also write words about music and other things\, and have published work in John Zorn’s Arcana series\, The Contemporary Music Review\, Talkhouse\, and Sound American.
URL:https://pcm.org/event/caroline-davis-and-wendy-eisenberg-with-rhubarb/
LOCATION:SPACE\, 538 Congress St\, Portland\, ME 04101\, Portland\, ME\, 04101\, US
CATEGORIES:Dimensions in Jazz
ATTACH;FMTTYPE=image/jpeg:https://pcm.org/wp-content/uploads/2024/04/13361_image.jpg
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